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The "Environmental Master" From China'S Fashion World -- Liang Zi (Providence Otangy) Six

2011/4/25 16:35:00 252

Fashion Liang Zi Tianyi Otangy

Tianyi Liangzi 2007 spring summer fashion conference



"In the design concept, the pursuit of Chinese culture and Chinese elements, Liang is the most persistent and persistent."

On the evening of November 18, 2006, at the Beijing China Hotel, Tianyi Liangzi 2007 spring and summer fashion conference, a respected Chinese expert in the clothing industry commented.


      

In 2006, Liang was the fifth time to attend the China Fashion Week in Beijing.


       

On this fashion week, Liang was named the best fashion designer of China Fashion Awards in 2006.


       

Liang Zi, the chief designer of Shenzhen Tianyi costume, is an aestheticism school who believes in "Zen" in the East. He once released his own works in Le Louvre Museum Square in Shenzhen, a frequent visitor to many fashion week in Asia, and won many awards.

Gill silk, also known as "Xiangyun gauze", is used to dye silk with the juice of "Dioscorea" juice as dye. Then it is covered with mineral mud at the bottom of the river. After long exposure to sunlight, it forms a cool, bright and unique silk fabric. It is the only silk fabric that is naturally dyed with natural plants in the world textile market.

But technology has been lost for many years.


      

Liang believed that because of Providence, she accidentally got a small piece of silk cloth head, and was fascinated by it.

It was more than ten years ago that the lost technology of the silk was re produced in her hands, and the design concept of "peace, health and beauty" became the brand connotation of Providence.


      

The interview with Liang Zi has continued from the office to her real family life, and the tacit understanding of his husband in the office, the strict and kindly motherly love for his children, the education for his children and his little quarrel. In the interview I have gone through, no one has been so truthful, simple and unscuttleto display all the truest things in front of others.

Liang Zi dubbed himself to do things one after another, which is right and wrong for people and things, and has offended many people.

But everyone who knows Liang will like her frank personality, because she is the kind of person who can make friends and become intimate friends.


      

On the stage of Tianyi Liangzi, Beijing international fashion week, which ended in November 22nd, Liang not only applied to the application of Chinese silk, but also touched more traditional techniques: another kind of traditional Chinese precious fabric, Yun brocade, was brought to the stage.

The brocade is the fabric of the emperor's gowns in ancient times. It is made by the top technicians with pure silk material and pure handcraft. This process even applied to the United Nations human cultural heritage.

The show uses the stage, light, music, fashion and other elements to reflect the harmony and beauty of man and nature.

Silk, hemp and other natural materials are elegant and pure, and are very rich in the beauty of Chinese traditional ink and wash paintings.

2007 spring and summer Liang Zi's show has changed the warm moist moistness of the past green and thin, showing the humidity of the tranquility and distant life in the main colors of black, white and grey.

The theme of the conference is "moistening" - a physical relationship between the fine, ink and Xuan paper in Chinese calligraphy and painting: flexible contact, gradual absorption and infiltration, dry and wet, light and thin, and one suction, resulting in an incomparable beauty of form and charm.


       

Immersion is also an oriental aesthetics of life. It is also the ideal state of harmonious existence of modern human society: mutual respect and mutual absorption; you have me and I have you; you are brilliant because of me, and I am wonderful because of you.


       

Through fashion, with music, stage and lighting, with the unique taste and understanding of Liang Zi, the Chinese calligraphy art form beauty of 5000 years has been carried out in a fashionable and profound way.


      

Wet ink, a unique taste of Liang Zi, slowly refreshing the heart and enjoying the bright and beautiful life of quiet and indifferent.

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Gentle beams


       

The works of female designers, especially the show costumes, are generally extravagant and complicated. Aestheticism and romance are their pursuit. They are usually luxurious, and they are not concise.

But in Liang Zi's providence, there are no fancy details, and there are no too complicated accessories. Simply, Liang has expressed his favorite, living and mental expression in a natural way in a show way, not too many paved lines, only pure and simple.


      

In the show, Liang Zi Pai is not just a concept, more close to the garment, Liang Zi's clothing and concept is only one step away. Liang really respects the consumers. Winning the prize is not her only pursuit. Approaching consumers is her ultimate intention.


      

Liang believes that he is a very detail oriented person, so that the pursuit of details is also included in life.

In the fashion show, people feel the truth of Liang Zi's show from the details.

Liangzi presented to the audience as if it were a beautiful and romantic portrait of a lady, and a combination of Chinese and Western watercolors.

In the background of T, lighting, music and other elements, the model dressed in the fashion of heaven is barefoot, like a lotus, as shy as a lotus, as if it is coming from a dream.


  


Anyone who has seen "Providence" will send out such an exclamation.

"Providence" is the standard deduction of Liang Zi's spirituality.

No fancy details, no trivial accessories, seemingly simple, but through Liang Zi's deep thinking of real life.

Convey the nature in the most natural way, and pour out the eastern sentiment with the most solid emotion.

Fashion design, simple materials, tranquil colors, exquisite details, all traces of Chinese culture.

In the face of harmony, purity, nature and tranquility, people are strongly aware of the essence of "harmony between man and nature".

And to every fashion and every detail, the feeling of "peace, beauty and health" is no longer a simple slogan, but the simplest portrait of Liang Zi and his brand "Providence", and the brand culture and design concept are well understood.

Liang often warns the staff around him that "harmony between man and nature" is the essence of Chinese culture with 5000 years of history, and the best survival state and realm that mankind has been pursuing.

The first meaning of "heaven and man" and "harmony between man and nature" is the equality and harmony between man and nature. The second meaning is that "Providence" and "Providence" are combined into one. "Peace, health and beauty" are both the design concept of "Providence" brand, and also the "heaven" concept of human beings.

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Persistent beams


       

It is the unique expression of Liang Zi's most "Divine Providence" characteristic that he uses the ancient silk like silk, and it is also the emotional crystallization of Liang Zi's silk for more than ten years.

More than ten years ago, by chance, Liang found a very special cloth head that he had never seen before. The black and white sides were covered with a faint luster, such as black pottery. The coffee side had irregular texture, such as the Shang and Zhou Oracle fragments, which felt very full and felt very mysterious.

It feels that the fabric seems to exist exclusively for oneself.

After many investigations, it is finally known that it is a kind of silk. It is made of natural fabrics, dyed with Chinese herbal medicine, brown sauce, silt sealed up, exposed to sunlight, and made by hand. It shows that human and nature are so close to each other that they are so integrated, so that they fully conform to Liang Zi's design concept of "Providence" - peace, health and beauty.


       

Since then, Liang has been unable to get rid of it. He has become more and more obsessed with the design and development of the silk dress.

For so many years, it is unclear whether Liangzi discovered the glistening silk, or the Liang silk found Liang Zi. It seems that Liang Zi had a predestined relationship with the old silk.

Liang's contribution to Choi Choi is not only making the silk clear but also the perfect combination of tradition and fashion.

The red series, the green system and the blue series have been carefully created by Liang Zi, and the unique oriental characteristics of China are vividly incisively and vividly.


       

China's original brand has never formed a large group climate in China, and even ten years ago, there was no concept of originality at all. But recently, originality has attracted more and more attention.

Not long ago, the Guangzhou municipal government presented the gift of "Tianyun silk" as a gift to the Swedish king, Queen and royalty. It was a good public relations act and a good opportunity for the government to give the heaven a good idea. It shows that the emphasis on original works from the national level is strengthening.


       

The reason is that the government wants to give gifts to the Swedish kings, queens and royalty to represent the ancient history of China and the gifts of modern national development. As a unique Chinese material with a long history of 500 years, and the fashion design of Liangzi, the famous designer of China, coincides with the attitude that the government wants to express. China is changing. China has not only traditional precipitation but also contemporary creation.


      

If the Tianyi brand is not always committed to the development of ancient silk fabrics, it will give fashion and new ideas to the silk, and will not be chosen as the designated gift of this significant public relations act.

Liangzi recalled, "we invested a lot in the early stage of research and development of the silk fabric, which has been losing money in the early stage, but the latter effect is beginning to show itself."

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Grieved Liang


      

After so many years of design, I asked her what she felt most deeply. She could not help but get excited: "I hope that everyone will treasure the good things around us, whether they are left to us by nature or our ancestors, and develop them well, so that they can live on us, so we can enjoy the great gifts they give us -- like the Divine Providence, developing the gentian.

Don't bother to develop yourself, but when you see good things developed by others, they rush to get rid of good things. This is something we do not want to see.

For example, after the success of the development of the gown silk, some people appeared to mix silk into the silk with fake silk. This phenomenon is a pain in heart.


      

Liang believes that for an original brand based on national culture, what kind of environment is important for development, from national policy to urban development, to the specific environment of the development of the garment industry, the national character should be established on the national self-confidence, and rarely seen Liang's emotional ups and downs. Liang said that she and Mr. two witnessed the process of how China's silk became a low-grade goods in self imposed price reduction and cannibalism. "Each country has its unique raw material resources, known as" green gold ", that is, green yellow gold, and China's unique silk materials do not give full play to its due value.

If Chinese silk can be called "green gold", it is in the hands of others, not in our own hands.


       

"In the past few years, the rapidly developing China is in a period of pformation. Some people have been confused by the foreign culture, and have no confidence in the Chinese nation. The good things of the Chinese nation have been ignored."

In the early days of reform and opening up, people were more concerned about the material problems of survival. For example, enterprises are most keen to listen to lectures like "how to increase speed", reflecting the mentality of doing business with a rich overnight. We can imagine what kind of living environment is facing the "Providence" of the early stage.

Liang said, after solving the problem of food and clothing, people will naturally start to pay attention to cultural things. This is an inevitable process. China is looking forward to cultural revival and rational return. Only in this way can social concern be passed.

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Insisting Liang Zi


      

For Liang Zi, ten years of hard and original creation occupied the best ten years of her life, but she enjoyed herself in it.

She said that the original brand should focus more on the practice of "Tao", that is, emphasis on culture and design style, while business brand is more focused on business skills, that is, the scope of "operation".

In terms of cultural spirit or brand business level, "Tao" is always higher than "skill". The most perfect course is the combination of Tao and art, but every brand must define its direction in the course of its operation.

As an original brand, maintaining your style is more important than pursuing growth. This is the brand ecology.

Our "Providence" also has many information and technical resources of traditional fabrics. Some of these fabrics are marginalized and some low-grade are almost extinct.

But unfortunately, over the past ten years, they seem to have never been discovered.

Our "Providence" will develop and activate them one by one, in fact, this process is endless.

It's like fishing. You caught the big fish at the front. It's cool!

Behind others, you can only pick up some small fish left behind.


     

Although China is scarce original brand at present, the original brand has been paid more and more attention by the society since its obscurity, and conveys the information of China's social development. The original brand embodies its higher value and greater prospects.


     

Insisting on it comes from the heart of Liang Zi - following the most real Providence.

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