Hot Spot: The Opening Ceremony Of The International Symposium On Chinese Costume Culture 2020

On December 19, Beijing Institute of fashion held the "2020 International Symposium on Chinese national costume culture". In accordance with the requirements of epidemic prevention, the school, on the premise of making full preparations for prevention and control, adopts the mode of combination of field and network at the same time. Zhou Zhijun, Secretary of the Party committee of Beijing Institute of fashion, attended the opening ceremony and delivered a speech. Sun Ji, member of the National Museum of culture and history, distinguished professor of Beijing Institute of fashion, Hua Mei, Professor of Tianjin Normal University, Xu Wanbang, Professor of Central University for nationalities, Yang Zhishui, researcher of Literature Institute of Chinese Academy of Social Sciences, Ma Yi, researcher of Institute of ancient history of Chinese Academy of Social Sciences, and Professor Liu Yuanfeng, director of Dunhuang clothing culture research and innovation design center, Beijing Institute of fashion He made a special speech and keynote speech at the conference.

Opening speech by Zhou Zhijun, Secretary of the Party committee of Beijing Institute of fashion

After the conference, three sub conferences were held with the theme of "clothing history research", "ethnic minority clothing research" and "clothing inheritance and innovation design research". Jia Ronglin, President of Beijing Institute of fashion, attended the closing ceremony and made a concluding speech. The seminar was presided over by Zhao lianxun, researcher of Institute of ancient history, Chinese Academy of Social Sciences, distinguished professor of Beijing Institute of fashion and vice president of Beifu Institute of Chinese clothing culture. More than 15000 experts, scholars, teachers and students from more than 60 scientific research institutions, universities, museums and other related experts, scholars, teachers and students from some domestic and overseas countries and regions participated in the seminar.

Jia Ronglin, President of Beijing Institute of fashion

As one of China's excellent traditional culture, Chinese clothing culture is famous for its long history and rich content. It is not only the outstanding representative of ancient Chinese national system, but also the perfect embodiment of etiquette culture. To a certain extent, it carries and records the development and changes of Chinese history and culture, and has high academic research value; The inheritance and innovation of its excellent cultural genes will effectively serve the people's needs for a better life, which has important practical significance.

Sun Ji, distinguished professor of Beijing Institute of fashion

This seminar is the second international academic seminar of Chinese national costume culture held by Beijing Institute of fashion following the "2018 International Symposium on Chinese national costume culture". This is another grand gathering in the field of clothing culture. Scholars at home and abroad have overcome the impact of the epidemic and responded positively. A total of more than 110 papers were received at the conference. The participating scholars exchanged views on three topics, namely, the study of clothing history, the study of ethnic minority costumes, and the research of costume inheritance and innovative design, and launched academic discussions on related issues, which not only showed the latest achievements in the study of Chinese national costume culture The scale and results of the conference exceeded expectations.

Zhao Lianshang, host of the conference

    In recent years, with the project of "research project of Chinese national costume culture" as the carrier, in line with the purpose of "seeking knowledge from things", Beijing Institute of fashion has established a research platform of Chinese clothing culture, actively carried out research and inheritance and innovation of clothing culture, expecting many experts Scholars enthusiastically participate in the construction of the theoretical system of Chinese national costume culture, provide the basis for the inheritance and dissemination of Chinese excellent traditional clothing culture, provide support for the development of China's fashion industry, provide support for the "cultural confidence" of China, and make due contributions to enhance the soft power of national culture and realize the great rejuvenation of the Chinese nation.

Sun Ji, research librarian of National Museum of China

How to study dress culture under the new situation

From the perspective of the development history of Chinese clothing, Sun Ji vividly expounded the Chinese clothing culture in simple terms, involving ancient Chinese social life, etiquette system, artistic aesthetics, cultural exchange, technology and other aspects, focusing on the future development of Chinese clothing culture under the new situation. He pointed out that the rich clothing of the Chinese nation is the embodiment of people's life sentiment and patriotism in different periods of China. The study of clothing culture shoulders the important task of spreading patriotism, carrying forward excellent traditional culture and strengthening national self-confidence. The study of clothing culture should draw nourishment from history, innovate constantly in inheritance, and let the public perceive the temperature of history through clothing. Sun Ji is well-known and knowledgeable, and has learned deeply. This lecture has sorted out a clear train of thought for the current complicated research of clothing culture.

Professor Hua Mei, Tianjin Normal University

Important nodes in the development of Chinese clothing from the perspective of national rejuvenation

From the perspective of national rejuvenation and cultural renaissance, Huamei reexamines the long and glorious road of Chinese clothing. It should not only stay at the level of art and practicality, but also focus on the strategic positioning and broad planning of the Chinese nation in the same period of human civilization history. In particular, the leading role and far-reaching influence of Philosophy in real life dress. At the beginning of the reform and opening up, we once faced the dazzling modern fashion of foreign countries, lamented that Chinese clothing could not go to the world, mistakenly thought that the dress etiquette of our ancestors was too complicated. However, nearly half a century later, we are more and more aware of the potential and toughness of the Chinese nation. At this time, we can look at the regularity and perfection of the dress system established in the Zhou Dynasty, the Confucian ideological background of the formation of dress etiquette in the Han Dynasty, the strict regulations on the identification of officials and commoners in the Tang Dynasty, the emphasis on culture and martial arts in the Song Dynasty, but the urban economy is developed, and the customs caused by migration and wrong residence are changeable; The Ming Dynasty, with the great success of Han culture, became more and more scientific and standardized. Several historical nodes can fully show the greatness and profundity of Chinese clothing culture.

Yang Zhishui, researcher, Institute of literature, Chinese Academy of Social Sciences

Interpretation of Ming Dynasty gold and silver jewelry unearthed from Maoer castle in Enshi

Yang Zhishui made a clear and logical textual research on a batch of gold and silver jewelry (more than 20 pieces in total, now stored in Enshi Museum) unearthed from Maoer castle in Enshi. He carefully renamed them and speculated that the site of their excavation was a chieftain family cemetery. In his short speech of 20 minutes, he made a detailed report on the research results of this batch of gold and silver jewelry. Starting from a single piece, he examined its name at that time in the conjunction of documents, images and objects, and then traced its origin and development. Through concrete and detailed examples, he showed the detailed composition of the fashion of the times.

Professor Xu Wanbang, Central University for Nationalities

Colorful Chinese clothing culture

Xu Wanbang said that the Chinese nation refers to the 56 ethnic groups in China and the ethnic groups that have lived in China in history. Since ancient times, China has been a multi-ethnic and unified country. Chinese culture is a pluralistic and colorful culture. Nowadays, all ethnic groups in China have their own unique costumes. There are many ethnic groups distributed in the vast area, and there are many branches in each ethnic group, and the costumes of each branch have their own style. In the process of his propaganda, he introduced the costumes of various ethnic minorities in North and South China with a large number of pictures of ethnic minorities, and briefly described the main causes of the formation of rich and colorful Chinese clothing culture. Xu Wanbang introduced the typical clothing characteristics of many ethnic minorities in China from the perspectives of ethnic branches, social changes, natural environment, religious beliefs and so on. Through specific cases and refined description, he showed the rich and colorful culture of China's multi-ethnic costumes.

Ma Yi, researcher, Institute of ancient history, Chinese Academy of Social Sciences

Burying clothes of cloth in Han Tombs

Based on the list of burial objects and objects unearthed from Han tombs, and referring to the handed down documents, Ma Yi investigated the names, raw materials, texture and usage of cloth fabrics in funeral clothes of the Han Dynasty, and concluded that these clothes were simple and simple in appearance and quality. Among all kinds of cloth funeral clothes, "no respect for single clothes" is particularly mentioned. It is considered that it is the same kind of clothing as the "Ming clothes" and "Ming Yi" that are worn close to the body in ancient books and records. They are worn out of the concept of quality and simplicity at the time of funeral, so as to serve as the clothing of the ancestors and the meaning of "meeting the gods".

Professor Liu Yuanfeng, Beijing Institute of fashion

Inheritance and innovation of Dunhuang costume culture

Liu Yuanfeng introduced the efforts made by the Dunhuang clothing culture research and innovation design center of Beijing Institute of fashion in Dunhuang costume culture and art research, education, cultural heritage, innovative design, social communication, mass promotion, international cooperation and exchange since its establishment. Based on the design practice and teaching process since the establishment of the center, this paper explores the inheritance and innovative design of Dunhuang costume culture. Using the vision and techniques of modern design, drawing from the profound nourishment of Dunhuang costume art, endowing decorative elements with the sense of the times and innovation, making the past serve the present, can fully display the cultural innovation and era charm of Dunhuang on the modern design stage, and effectively promote the promotion and development of traditional culture.